Overall
This
oil painting depicts a typical chivalrous knight helping a damsel in distress.
In this almost life sized painting, an armor clad knight is freeing a
stripped, defenseless women who was attacked and kidnapped. The knight’s sword
is covered in blood and the assumed attacker’s corpse can be seen behind him. The
tree the woman is tied to is a Silver birch, which at the time, was identified
with the female gender; being referred to as “Lady Birch”.
About the Artist
The
artist: Sir John Everett, Millais was born June 8th 1829. He was a
child prodigy; he attended Sass's Art School in London and won a silver medal
at the Society of Arts at the age of nine.
Reception
Because of the female nudity of the
painting, it was given very critical reviews.
A lot of this critic was on Millais’ treatment of the woman. Critics thought that this was an attempt to
idealize nudity and place it in a classical (Greek or Roman) setting. Millais
was actually trying emulate an early Victorian style of painting started by
artist William Etty. Etty’s was known for his nude paintings but what Millais
really admired was the techniques and rich colors Etty used. Stangely enough
one of the main critics of the paintings was that the woman was too
“life-like”. “the manner is almost too real for the treatment of the nude” (quoted
in Nead p.235 of the June 1870 Art Journal). Not only that but some questioned the woman’s
morals. Because of this as well as the fact that the painting wasn’t selling,
Millais cut the head and torso off the painting. He then repainted the woman to
be looking way to make her appear more modest. The portion of the painting cut
out was reused in another painting a year later. After the revision, the
painting was sold in 1874.
How it Connects to empire
The first thing is the controversy
that was caused by the nudity of the woman. Due to the more conserved nature of
the English more importantly English women, nudity was mostly connected with
savages. Although it is made clear in the painting that the woman was nude
because she was attacked, critics still questioned and assumed the woman’s
morals.
Next is the literal name of the
painting. The Knight’s Errant is the
adventure a knight goes on in search of people to help. This can be somewhat
connected to how the English “help” other countries such as India. Because the
English identify themselves as basically the ‘pinnacle of society’ it is their
duty to help others. One of these means of “help” would be the missionaries
that went around spreading (forcing) Christianity onto others. Similar to Ms.
Clack in the Moonstone
Work Cited
- Virag, Rebecca.
"Sir John Everett Millais, Bt, 'The Knight Errant' 1870." Tate.
N.p., Mar. 2001. Web. 20 Oct. 2014.
- Riggs, Terry.
"Sir John Everett Millais, Bt, 'Ophelia' 1851-2." Tate.
N.p., Jan. 1998. Web. 20 Oct. 2014.
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